I was in the back row of the theatre when Marilynne Robinson and Colm Tóibín sat down with the CBC’s Eleanor Wachtel for a panel discussion at the 2014 International Festival of Authors (IFOA) in Toronto. Sitting on the aisle in the back row, to be precise, is my preferred location at many events (the exceptions being movies and musical presentations), in part for the pragmatic reason of being able to slip out quickly at the end and not be trapped by the departing crowd. But more so, it’s so that I can be alone in my thoughts, to absorb the input from the presenters without the complication of having to discuss it with a talkative person who has taken the seat next me. I seek and create the circumstances for solitude.
In the IFOA conversation between Robinson, Tóibín and Wachtel, one of the themes that emerged was the importance of solitude and loneliness. Tóibín said that one gains a great deal from loneliness, especially in circumstances of loss, that’s not possible if one is in constant chatter with others. Robinson observed that loneliness is a kind of passion for her, that she cultivates loneliness. Robinson believes that loneliness is essential for understanding and creating one’s identity so as not to be dependent on others for your own self-definition.
At that point, I had not yet read Marilynne Robinson’s newest novel “Lila” though I was anxious to having read and adored her earlier novel “Gilead.” The same was true for Colm Tóibín’s new work “Nora Webster.” I had previously read and enjoyed much of Tóibín’s writing and was looking forward to this new one.
“Lila” and “Nora Webster” did not disappoint me. Both novels thrilled me, largely because they are such quiet works—the characters not speaking of much of what goes on. So much is said in the silences.
This is not to suggest that the principal characters exist in isolation from significant others or from community. Young Lila and her much older husband John Ames have an intense relationship despite the differences in age, education, socio-economic and cultural background. They are bound to each other by a mutual attraction that is as much metaphysical as it is physical. Nora Webster, struggling to redefine herself as a person and as a mother after the death of her husband, finds new life not through family or neighbours in her repressive Irish town but rather through the music that she relishes in a small musical society and with her vocal teacher, a community of people whose souls are enlivened by the arts.
Telling a compelling story through silences and through what is left unspoken takes enormous skill on the part of a writer. Robinson and Tóibín are such writers.
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The IFOA conversation between Marilynne Robinson and Colm Tóibín can be heard at Writers & Company: Marilynne Robinson & Colm Tóibín – CBC.
Information on my memoir “August Farewell” and my novel “Searching for Gilead” can be found on my website at DavidGHallman.com